{"id":112,"date":"2023-02-22T08:27:43","date_gmt":"2023-02-22T08:27:43","guid":{"rendered":"https:\/\/livpedersen.de\/?page_id=112"},"modified":"2026-07-22T09:29:51","modified_gmt":"2026-07-22T09:29:51","slug":"ausstellungsansichten","status":"publish","type":"page","link":"https:\/\/livpedersen.de\/en\/ausstellungsansichten","title":{"rendered":"about"},"content":{"rendered":"
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Photo: Antine Yzer<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Liv Pedersen<\/mark><\/strong> (*1986) \u00b4s work is characterized by the exploration of her repertoire of forms. Using a wide variety of materials as well as spatial situations she creates herself, she continually approaches her formal language in new ways and transforms it. Observing how the materials interact with one another and with the space is an integral part of her artistic practice.\u00a0<\/p>\n\n\n\n

She conducts her exploration through a cross-media process involving assemblages, objects, drawings, and sound. In her delicate arrangements, she focuses on the details, bringing the inconspicuous to light. Among other things, she works with remnants, discarded items, and found objects. Modeling clay, concrete screed, wire and plant parts \u2014 her choice of materials is guided by a curiosity to explore their potential. She examines their limits, possibilities, and hidden capabilities, using them to find new ways to realize her own artistic repertoire. The varying material properties influence the artist\u2019s formal and visual language, constantly transforming it. Individual elements from the creative process reappear in the exhibition context as temporary, arranged works or are artistically reworked in the form of sound and text. <\/p>\n\n\n\n

The artist responds to her environment by observing it closely and discovering new ways of storytelling within materials. Through their deliberate placement and treatment within the context of her work, she transforms their appearance. Through a playful approach, she develops a visual language that moves between materiality, organic forms and drawing. <\/p>\n\n\n\n

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artistic education<\/mark><\/strong>
2018-2022<\/strong> Illustration B.A., University of Applied Sciences (HAW), Hamburg

teaching<\/mark><\/strong>
WS 26\/27<\/strong> teaching assignment, Department of Art (B.A., 3rd \u2013 7th semester), Faculty of Design, HAW Hamburg

memberships<\/mark><\/strong>
since 08\/24<\/strong> member of VG Bild-Kunst, Bonn
since 03\/23<\/strong> member of Bundesverband Bildender K\u00fcnstler*innen Hamburg e.V.
since 01\/23<\/strong> member of Ateliergemeinschaft Achterhaus e.V., Hamburg

 <\/mark>exhibitions<\/em>  <\/mark><\/strong>
upcoming<\/mark><\/strong>
09\/26<\/strong> open ateliers, Ateliergemeinschaft Achterhaus e.V., Hamburg
09\/26<\/strong> Aus dem Koffer + D\u00fcsseldorf, places: Berlin, D\u00fcsseldorf, K\u00f6ln, Hamburg \/ presentation in KAI 10 | Arthena Foundation (D\u00fcsseldorf) as part of the finissage of the exhibition \"Uncertain Maps\"<\/pre>\n\n\n\n
solo show<\/mark><\/strong>\n02\/26<\/strong> drawing becomes object, Galerie im Glockenhof, L\u00fcneburg\n10\/24<\/strong> ruht es oder wandert es, Kunstklinik, Hamburg\n04\/24<\/strong> EBENEN, hinterconti e.V., Hamburg\n05\/23<\/strong> Von Wesen und Wolken, kunst kiosk, Hamburg\n12\/22<\/strong> open atelier, Ateliergemeinschaft Achterhaus e.V., Hamburg\n04\/22<\/strong> RAUM FORM MATERIAL, Galerie 21, Hamburg\n\nduo show<\/mark><\/strong>\n03\/25<\/strong> Vom Verhalten Zueinander, Galerie Kaufmann (former Galerie Hyle), Hamburg, with Katherina Heil & Liv Pedersen\n\ngroup show<\/mark><\/strong>\n01\/26<\/strong> Spuren eines Prozesses, hinterconti, Hamburg (book release & exhibition)\n12\/25<\/strong> Von Anfang an, Galerie Kaufmann, Hamburg (exhibition of the collection Kaufmann Mastaglio)\n12\/25<\/strong> shaping transition, Frappant Galerie, Hamburg\n07\/25<\/strong> VISION PAPIER, CuxPaperArt25, Schloss Ritzeb\u00fcttel\/Cuxhaven\n02\/25<\/strong> ANONYME ZEICHNER*INNEN, Kunsthaus Erfurt, Erfurt\n02\/25<\/strong> Vor meiner T\u00fcr, BBK Jahresausstellung, Kunsthaus, Hamburg\n11\/24<\/strong> ANONYME ZEICHNER*INNEN, Kunstraum Kreuzberg, Berlin\n11\/24<\/strong> add art, you GmbH, Hamburg\n10\/24<\/strong> Irrgarten, Westwerk, Hamburg\n07\/24<\/strong> POSITION., Fabrik der K\u00fcnste, Hamburg\n02\/24<\/strong> Everyone but Caspar!, K\u00fcnstlerhaus Sootb\u00f6rn, Hamburg\n01\/23<\/strong> ANONYME ZEICHNER HAMBURG\u2013Veddel, HYCP Veddel-Space, Hamburg\n06\/22<\/strong> Kunst in der B\u00f6rse, Handelskammer Hamburg, Hamburg\n10\/21<\/strong> Landschaft als Metapher, xpon-art gallery, Hamburg\n\nreading<\/mark><\/strong>\n2026<\/strong> from the artist book \"Spuren eines Prozesses\" with Judith Hofer (artist, curator, author) & Dr. phil Kristin Drechsler (musician, phenomenolog, voice researcher)\n\nartist talk<\/mark><\/strong>\n2025<\/strong> artists talk with Felicitas Holzer (scientist, philosopher) & Jenni Schurr (SENDER) as part of the group show \"shaping transition\" in Frappant Galerie, Hamburg\n2024<\/strong> talk with Christiane Opitz (cultural scientist) as part of the solo show EBENEN in hinterconti e.V., Hamburg\n\nperformance<\/mark><\/strong>\n2026<\/strong> zwischen Tanz und Stimme, hinterconti e.V. (Hamburg) \/ voice: Dr. phil Kristin Drechsler, dance: Liv Pedersen\n2025<\/strong> zwischen Tanz und Stimme, Frappant Galerie (Hamburg) \/ voice: Dr. phil Kristin Drechsler, dance: Liv Pedersen\n\ngrants<\/mark><\/strong>\n2025\/2026<\/strong> Tanzraumf\u00f6rderung of DfdK Hamburg, funded by Beh\u00f6rde f\u00fcr Kultur und Medien Hamburg\n2025<\/strong> project funding for the publication \u201eSpuren eines Prozesses\u201c \/ exhibition in hinterconti e.V., Hamburgische Kulturstiftung & Projektf\u00f6rderung Stadtteilkultur Hamburg-Mitte\n2025<\/strong> project funding for the group show \u201eshaping transition\u201c in Frappant Galerie, Claussen-Simon-Stiftung, Hamburg\t\t\n2024<\/strong> project funding for the solo show EBENEN, Liebelt-Stiftung, Hamburg\n2024\/2025<\/strong> Tanzraumf\u00f6rderung of DfdK Hamburg, funded by Beh\u00f6rde f\u00fcr Kultur und Medien Hamburg\n\nbook projects (self published)<\/mark><\/strong>\n2026<\/strong>\nSpuren eines Prozesses<\/em> (\"traces of a process\", artist book)\n16 cm x 22,2 cm, 73 pages, edition of 30 \nwith texts by Judith Hofer, Inka Lusis & Dr. phil. Kristin Drechsler\n\n2023<\/strong> \nRAUM FORM MATERIAL<\/em> (SPACE FORM MATERIAL, exhibition brochure) \nDIN A5, 40 pages, edition of 50\n\n2022<\/strong> \nRyugu, sch\u00f6n dich in der N\u00e4he zu wissen<\/em> ( \"Ryugu, good to know you close\", artist book) \n24 cm x 17 cm, 52 pages, trilingual (german, french, japanese), individual painted book spine, edition of 30\n\n2021<\/strong> \nSCHATTEN<\/em> (SHADOW, concept book)\n19,5 cm x 14,5 cm, 22 pages, risograph printing, edition of 30\n \nAm jeweils anderen Ende<\/em> (\"at the other end\", picture book)\n29,7 cm x 23,3 cm, 32 pages, edition of 10\n<\/pre>\n\n\n\n
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Liv Pedersen (*1986) \u00b4s Arbeit ist gepr\u00e4gt von der Untersuchung ihres Formenrepertoires. Mittels verschiedenster Materialien sowie selbst geschaffener r\u00e4umlicher Situationen n\u00e4hert sie sich ihrer Formensprache immer wieder auf neue Weise an und transformiert sie. Das Beobachten vom Verhalten des Materials zueinander und zum Raum ist dabei Teil der k\u00fcnstlerischen Auseinandersetzung.\u00a0 Ihre Untersuchung vollzieht sie in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-112","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/pages\/112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/comments?post=112"}],"version-history":[{"count":43,"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/pages\/112\/revisions"}],"predecessor-version":[{"id":1204,"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/pages\/112\/revisions\/1204"}],"wp:attachment":[{"href":"https:\/\/livpedersen.de\/en\/wp-json\/wp\/v2\/media?parent=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}